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The third and final release in the Escape Velocity series, EV Nova saw the most extensive changes to the game since the original EV. The game started as a fan-made total conversion of EV Override, but Ambrosia Software ended up working with the creators to develop an entirely new game. Matt Burch returned to make significant updates to the old Escape Velocity engine, providing support for 3D ship sprites, dynamic lighting, advanced particle effects, and sophisticated storyline support. The end result is an expansive game with many more races and stories, in a larger galaxy full of different ships, outfits, and weapons.

EV Nova was probably Ambrosia's most cross-platform release of all time. Initially released for 68k/PPC classic Macs, it was soon updated to support PPC Mac OS X and, eventually, Intel Macs. It was also ported to Windows. Because of the numerous versions and supported systems, you should keep these suggestions in mind when picking a version:

• v1.0.2 - v1.0.10 support 68k/PPC architectures
• v1.1.1 supports PPC/Intel architectures

• v1.0.2 supports Mac OS 8.1 and up. Effectively, even though later versions contain 68k code, this is the last one that can run on 68k systems because of the OS constraint.
• Versions above v1.0.2 through v1.0.10 support classic Mac OS 8.5 and up; they should also run in PPC Mac OS X.
• v1.1.1 is the latest and only supports PPC/Intel Mac OS X.

• v1.0.10 is the latest Windows release and has been included for archival purposes.

It's worth noting that EV Nova continued Escape Velocity's success well into the early 2000's, and with the Windows port, it picked up an even larger following. Due to its popularity, there have been numerous EV-like clones since Nova's release, including very recent ones like Endless Sky and Naev (links on Steam if you prefer: Endless Sky - Naev).

To register v. 1.0.x do the following:

1) Set the system date to 1st August 2009
2) Enter the following registration details:

Name: KCN Demo User
Licenses: 5
Code: RUBS-9D9R-JL64

Alien force (atari) mac os. 3) Register the game and launch it to check that it is registered.
4) Reset your system date

_________________+__________________
Added Expansion packs description: Game1 (jpk1234) mac os.

- ARPIA 2 Expansion Mod For EV Nova.
-----------------------------------------
A complete expansion set for Escape Velocity Nova.
Created by Peter 'Pace' Craddock and his ARPIA Team.
Requires EVNova 1.0.6 as minimum.
Black mamba song. Includes Launcher app.

- EV Classic for EVNova 1.1.1
---------------------------
EV Classic for Nova is a port of Ambrosia Software's
original
Escape Velocity to the EV Nova engine.
Includes Launcher app.

- Realm of Prey for EV Nova
-------------------------
by Tim Isles
PORTED by Agee (MacDevil)

One of the best expansion set for the Classical Escape Velocity,
now ported to the EV Nova Engine.
Requires EV Nova,
and the EV Classic for EVNova 1.1.1 plugs
(just in case)

- Star Wars - Smuggler's Alliance Expansion (SAE)
-----------------------------------------------
by Eternal Light Studios

Brings out the Star Wars universe, missions and characters to the EV Nova galaxy.
Made by Eternal Light Studios, is a huge StarWars fan based plugins set
made before it turns into DisneyWars, so the credits goes to LucasFilms.
Includes Dev package, and the howtos can be expanded.

- Plugin Pack 18
Expansion

A nice collection of add ons, including weapons, graphics and more tune-ups.

See also: Escape Velocity, EV Override

Use v1.0.2 on Mac OS 8.1 for Basilisk II. SheepShaver can run any version up to v1.0.10. Mac OS X PPC/Intel users should be able to use v1.1.1.

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The road behind

Mac OS X 10.0 was released five years ago today, on March 24th, 2001. To me, it felt like the end of a long road rather than a beginning. At that point, I'd already written over 100,000 words about Apple's new OS for Ars Technica, starting with the second developer release and culminating in the public beta several months before 10.0. But the road that led to Mac OS X extends much farther into past—years, in fact.

Mac OS X 10.0 was the end of many things. First and foremost, it was the end of one of the most drawn-out, heart-wrenching death spirals in the history of the technology sector. Historians (and Wall Street) may say that it was the iMac, with its fresh, daring industrial design, that marked the turning point for Apple. But that iMac was merely a stay of execution at best, and a last, desperate gasp at worst. By the turn of the century, Apple needed a new OS, and it needed one badly. No amount of translucent plastic was going to change that.

Apple was so desperate for a solution to its OS problem in the mid- to late 1990s that both Solaris and Windows NT were considered as possible foundations for the next-generation Mac OS. And even these grim options represented the end of a longer succession of abortive attempts at technological rejuvenation: OpenDoc, QuickDraw 3D, QuickDraw GX, Taligent, Pink, Copland, Gershwin, Dylan—truly, a trail of tears. (If you can read that list without flinching, turn in your Apple Extended Keyboard II and your old-school Mac cred.)

In retrospect, it seems almost ridiculously implausible that Apple's prodigal son, thrown out of the company in 1985, would spend the next twelve years toiling away in relative obscurity on technology that would literally save the company upon his return. (Oh, and he also converted an orphaned visual effects technology lab into the most powerful animation studio in the US—in his spare time, one presumes.) Strategies for playing slot machines.

So yes, Mac OS X marked the end of a dark time in Apple's history, but it was also the end of a decade of unprecedented progress and innovation. In my lifetime, I doubt I will ever experience a technological event that is both as transformative and as abrupt as the introduction of the Macintosh. Literally overnight, a generation of computer users went from a black screen with fuzzy green text and an insistently blinking cursor to crisp, black text on a white background, windows, icons, buttons, scrollbars, menus, and this crazy thing called a 'mouse.'

I see a lot more Mac users today than I ever saw in the pre-Mac OS X era, but few of them remember what it was like in the beginning. They've never argued with someone who's insisted that 'only toy computers have a mouse.' They didn't spend years trying to figure out why the world stuck with MS-DOS while they were literally living in the future. They never played the maze. (Dagnabbit!)

Today's Mac users appreciate the refinement, the elegance, the nuances of Mac OS X. Today, the Mac grows on people. It seeps into their consciousness until they either break down and buy one or retreat to familiarity, perhaps to be tempted again later.

The original Mac users had a very different experience. Back then, the Mac wasn't a seductive whisper; it was a bolt of lightning, a wake-up call, a goddamn slap in the face. 'Holy crap! This is it!' Like I said, transformative. For the rest of the computing world, that revelatory moment was paced out over an entire decade. The experience was diluted, and the people were transformed slowly, imperceptibly.

That era ended on March 24th, 2001. Mac OS X 10.0 was the capstone on the Mac-That-Was. It was the end of the ride for the original Mac users. In many ways, it was the end of the Mac. In the subsequent five years (and over 200,000 more words here at Ars), the old world of the Mac has faded into the distance. With it, so have many of the original Mac users. Some have even passedon. Mac OS X 10.0 had a message: the Mac is dead.

Long live the Mac

Mac OS X arose, phoenix-like, from the ashes of the Mac-That-Was. Okay, maybe more like an injured phoenix. Also, Apple didn't light the bird on fire until a few years later. But still, technically, phoenix-like.

A side-by-side test-drive of Mac OS X 10.0 and 10.4 is shocking. The eternal debate is whether this gap exists because 10.4 is so good, or because 10.0 was so, so bad. That said, Apple's ability to plan and execute its OS strategy is not open for debate. In five short years, Apple has essentially created an entirely new platform. Oh, I know, it's really just the foundation of NeXT combined with the wreckage of classic Mac OS, but I think that makes it even more impressive. Two failing, marginalized platforms have combined to become the platform for the alpha geeks in the new century.

Today's Mac users span a much wider range than those of the past. Mac OS X's Unix-like core reached out to the beard-and-suspenders crowd (and the newer source-code-and-a-dream crowd) while the luscious Aqua user interface pulled all the touchy-feely aesthetes from the other direction. In the middle were the refugees from the Mac-That-Was, but they aren't the story here. Mac OS X is about new blood and new ideas—some good, some bad, but all vibrant. The Mac is alive again!

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After spending half my life watching smart, talented people ignore the Mac for reasons of circumstance or prejudice, it's incredibly gratifying to live in a post-Mac OS X world. When I encounter a tech-world luminary or up-and-coming geek today, I just assume that he or she uses a Mac. Most of the time, I'm right. Even those with a conflicting affiliation (e.g., Linux enthusiasts) often use Apple laptops, if not the OS.

In the media, the Mac and Apple have gone from depressing headlines on the business page to gushing feature stories everywhere. Even traditional strongholds of other platforms have fallen under the translucent fist of Mac OS X. Just look at Slashdot, long a haven for Linux topics, now nearly living up to the frequent accusation that it's become 'an Apple news site.' Here at Ars Technica, the story is similar. The 'PC Enthusiast's Resource' from 1999 is now absolutely swimming in Apple-related content.

As much as I like to think that I brought on this transformation here at Ars with my avalanche of words, the truth is that Mac OS X is responsible. Yes, Apple's shiny hardware helped, but it was the software that finally won over those stubborn PC geeks. It helped that the software was shiny too, but it would have all been for nothing if not for one word: respect.

Mac OS X made the alpha geeks respect the Mac. My part, if any, in the transformation of a green-on-black den of PC users into a clean, well-lighted home for Apple news and reviews was merely to explain what Mac OS X is, where it's coming from, and where it appears to be going. The rest followed naturally. It's Unix. It's a Mac. It's pretty, stable, novel, innovative, and different. Mac OS X was powerful geeknip; it still is.

During the first few years of Mac OS X's life, I began my reviews with a section titled, 'What is Mac OS X?' That seems quaint in retrospect, but it really was necessary back then. (The pronunciation tips contained in those sections might still be useful. Even Steve Jobs still says 'ecks' instead of 'ten' sometimes. He also said 'PowerBook' during the last press event. I'm just saying.'MacBook'? Come on.)

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Today, Mac OS X has achieved escape velocity. After five years and five competently executed major releases, Apple has earned the right to take a little more time with Mac OS X 10.5 Leopard. Users need a break from the upgrade cycle too. (Well, the software upgrade cycle, anyway.) For all my complaints about the Finder, file system metadata, user interface responsiveness, you name it, I've always been rooting for Mac OS X. I've always wanted to believe. After five years, that faith is finally paying off.

Complacency's not my style, though. I still think Mac OS X can be better, and I continue to hold Apple to a very high standard. I've even got a head start on worrying about Apple's next OS crisis. (See parts one, two, three, and four.) Maybe I've been scarred by Apple's late-1990s dance with death.or maybe I've just learned an important lesson. Maybe Apple has too. I sure hope so, because I don't know if I can go through all that again.

Mac OS X is five years old today. It's got a decade to go before it matches the age of its predecessor, and perhaps longer before it can entirely escape the shadow of the original Mac. But I'm glad I'm along for the ride.